Satellite distribution is expensive

I've been looking in to getting Groove Salad distributed over satellite- we've had a few college / public radio stations ask about using it for their weekend and overnight programming. While we have a deal with NPR for distribution of Groove Salad over the NPR satellite service, it's only for use on HD radio multicast channels, and is not allowed to be used for over-the-air analog use.

So I looked into what it would cost to have PRSS (the public radio satellite system) give us a 24x7 satellite feed - which would make it really easy for any over-the-air station to broadcast us (since they already have the equipment for it in place).

It's expensive. $13,000 a month. A 12 hour a day feed would cost $9625. Add onto that the cost of a T1 back to Washington DC to feed their uplink - that's going to be about $1000 more a month, plus another $3000 or so for the Musicam encoding hardware.

I also talked to the folks from Clear Channel Satellite Services when I was at NAB. They're a bit less expensive; but with everything (the T1, sat time) it was going to be around $9500 a month with a 2 year commitment. The caveat is that most public radio stations don't have the satellite gear to receive the Clear Channel satellite feeds; on the other hand, most commercial stations do.

Alternatively, we could use an internet-based solution, the problem is that many of them now have too much buffer delay (10 seconds or more, vs half a second for satellite). There are low latency "over the internet" systems from Musicam, Comrex and others, but they require expensive hardware at both ends.

We'd love to get our programs out there in more places, but the non-internet distribution costs are still quite high.

Airchecks of LA or SF radio from mid 1970s?

I'm trying to find some full length airchecks from the LA and SF areas from 1973-1978. Of particular interest would be KNX-FM from 1975-1977, and KKDJ from about 1974 until a bit before they became KIIS-FM. I'd also love to find some KROQ from 1978-1980. And any other "Boss Radio" airchecks. (KHJ, etc). I'm looking for the full length ones, not "scoped" stuff. I just got a working reel-to-reel deck again, and I've been transcribing to MP3 some of my old recordings. One thing I will be posting in the next few weeks is the last days of KNX-FM before they became KKHR. One thing I've noticed from listening to these is that Radio used to be good. Voice tracking and automation abuse killed popular radio. (Although KNX-FM was automated and it was one of the greatest FM stations of all time. Automation is a tool; when used correctly it can sound great, when used poorly, it sounds like Chear Channel's HD2 stations.)

Save Net Radio Press Release

INTERNET RADIO MAKES A COMEBACK IN THE SENATE The Grassroots Movement to Save Internet Radio from Extinction is Reinvigorated by Senate Judiciary Committee – Brownback Offers Industry Saving Legislation

Save Net Radio Press Release

WASHINGTON D.C. – Legislation introduced in the House and the Senate last year to bring parity and equality to the new radio market made a comeback today during a Senate Judiciary mark-up. The Internet Radio Equality Act (IREA), which would establish a flat rate for performance royalty fees paid by cable, satellite and Internet radio providers, was offered as an amendment to the Orphan Works Act of 2008 (S. 2913) by Senator Sam Brownback (R-KS) during a scheduled mark-up of the intellectual property legislation today.

The amendment, which was later withdrawn, signals the renewed efforts of Net radio webcasters to reverse an unprecedented 2007 rate increase by the Copyright Royalty Board (CRB) that threatens to bankrupt the industry. Expressing his “strong support for internet radio,” Chairman Leahy welcomed future consideration of Internet radio royalties.

“It has been more than a year since the CRB raised the cost of webcasting to an untenable amount,” said Jake Ward, spokesperson for the SaveNetRadio campaign, “and all we are is a year older. Last year, more than two million people called on Congress to take action, and 150 Members in the House and Senate heard them and signed on in support of the Internet Radio Equality Act, but we still don’t have a solution. In the past year, rates have been set for net radio’s direct competition, satellite and cable radio providers, at a rate three and four times less than their proposals to Internet radio. It is disappointing and absurd that while Net radio is fighting for its survival, the industry has been put at an even greater disadvantage. This is unacceptable and hardly the good faith negotiations the House Commerce committee directed SoundExchange to participate in more than nine months ago.”

“Senator Brownback has been a staunch ally of small businesses and independent artists whose livelihoods depend on Internet radio since this fight began a year ago,” Ward continued. ”The offering of the amendment today and Senator Brownback’s leadership and dedication to equality should serve as a reminder to other Members that Internet radio and its tens of millions of supporters are not going away quietly. We should all be in this together. This continued battle is perlexing but we are committed to fighting for fairness – fairness for artists, fairness for independent labels, and fairness for webcasters. In the coming weeks and months, SaveNetRadio will be directing our formidable grassroots to support legislation that ensures artists are fairly compensated while leveling the playing field for webcasters.”

Following a March 2, 2007, decision by the Copyright Royalty Board (CRB), a division of the Library of Congress charged with establishing performance royalty rates for “digital radio” broadcasters, to increase rates for webcasters by an unjustified and unprecedented 300 to 1200 percent, a national coalition of webcasters, independent artists and Net radio listeners began petitioning Congress to take action. The Internet Radio Equality Act (S. 1353/H.R. 2060), which would set the rate for all digital radio – cable, satellite and internet radio – at 7.5% of revenue, was introduced in the U.S. Senate by Ron Wyden (D-OR) and Sam Brownback (R-KA) and in the House by Congressman Jay Inslee (D-WA) and Don Manzullo (R-IL).

In November of 2007, SoundExchange formally proposed that cable radio services pay royalties between 7.25% and 7.5% of their revenue to sound recording copyright owners and recording artists. The following month, the Copyright Royalty Board, citing market constraints and a desire not to disrupt the industry, further reduced the royalty rate for satellite radio to 6% of broadcaster revenue –increased incrementally to 8% over the next five years. Cable and satellite radio generated $2 billion in 2006 while Internet radio produced less than $150 million. Under the current CRB ruling webcasters would pay an average 30% of revenue in royalty fees – and as much as 150% in some cases.

Radio And Internet Newsletter reports: SENATE JUDICIARY COMMITTEE TO LOOK AT WEBCASTING ROYALTIES

SENATE JUDICIARY COMMITTEE TO LOOK AT WEBCASTING ROYALTIES:

"At a hearing of the Senate Judiciary committee this morning, Sen. Sam Brownback (R-KS) revived the issue of Internet radio performance royalties by proposing to add the Internet Radio Equality Act as an amendment to an unrelated copyright bill. Committee chairman Sen. Patrick Leahy (D-VT), while expressing his support for webcasters, countered by suggesting that the committee examine the issue in June in the context of broadcast radio performance royalties.

[RAIN will] have more details as they emerge. You can also check the SaveNetRadio website here: http://www.savenetradio.org."

I guess it may be time to go back to Washington DC again. Perhaps this time we can get some traction on that bill.

SanFran MusicTech Summit

I'll be moderating a panel on new developments in streaming at the SanFran MusicTech Summit this Thursday, May 8th at the Hotel Kabuki. Our panel will start at 1:50pm in the Osaka Room (the downstairs room behind the Spring Room). With me will be:

John Richey - Wireless Music Delivery Expert, Apple
Greg Ogonowski - VP of New Product Development, Orban
Chris Grigg - Head of Standards, Beatnick
Tim Pozar - VP of Engineering, UnitedLayer

We're going to be talking about delivery methods. New codecs. Streaming to mobile devices. Internet radio hardware devices. How to determine if you really need a content delivery network. It should be real fun.

Here's a blurb about the summit:

The SanFran MusicTech Summit will bring together digital thought leaders from the San Francisco Bay Area, as well as from all around the country to the region which currently leads the way in innovating (both socially, and technologically) new ways of interacting with both music, and musicians. We will be working long term to help enable a sustainable, ongoing, Northern California based music and related technology market.

Register for the Summit here